![]() ![]() Horror’s genre conventions are more than satisfied, often in ways that surprise or subvert expectations fans will grin when they come across clever nods and homages sprinkled throughout that never feel heavy-handed or too cute. ![]() From the beer bottles decorating fences to free-throw practice on the old concrete pad in the cold, the Rez and its silent beauty establishes itself as an important character in the story, and one that each of the other characters must reckon with before the end. As Jones makes his bloody way through the character rotation, he indulges in reflections on rural life, community expectations, and family, among other things, but never gets lost in the weeds. The plot meanders ever forward, stopping and starting as it vies for primacy with the characters. Years later, they’re forced to answer for their act of selfish violence, setting into motion a supernatural hunt in which predator becomes prey. Four young Blackfeet men ignore the hunting boundaries of their community and fire into an elk herd on land reserved for the elders, but one elk proves unnaturally hard to kill. ![]() ![]() Jones ( Mapping the Interior, 2017, etc.) delivers a thought-provoking trip to the edge of your seat in this rural creature feature. A violent tale of vengeance, justice, and generational trauma from a prolific horror tinkerer. ![]()
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